Beautiful Noise Original Motion Picture Soundtrack

Beautiful Noise Original Motion Picture Soundtrack
Beautiful Noise Original Motion Picture Soundtrack

Wednesday, February 23, 2011

"Follow The Money"

Three words altered the course of American presidential politics forever when "Deep Throat" (Hal Holbrook) uttered the phrase "Follow the money" to Washington Post reporter Bob Woodward (Robert Redford) in one of the finest political dramas ever made - "All The President's Men". Over the years I have found that those three words can be used to solve riddles and answer many complex questions that all start with "I wonder why...or who...or how...or what...happened?" . Throughout every corner of our society, if the issue in question demands answers to sticky or curious situations involving politics, marriage, divorce, sports, business, government, foreign trade, hunger, homelessness, disease, war, peace...you name it - the first thing to do, if you really want to get at the truth, is to simply "follow the money" trail. That almost always leads you to the answers to "Why did that happen? Who decided that? or What the hell just happened?"

Such is the way of the world...for better or worse...and such is the essence of the Movie Business. Why do the handful or so of major studios make and release fewer and fewer films each year? And of those released, why are nearly all of them remakes, sequels or comic book franchise driven? And how can the box office revenue climb higher and higher each year in spite of recessionary times with so many mind-numbingly lame films? Whatever happened to the golden age of moviemaking - for me the mid 60's and the entire 1970's; and for my parents' generation the pre-war years culminating in the incredible film year of 1939? How and why and who decided that "Transformers V" and "Iron Man X" will continue to fuel and dominate the summer box office schedules in the years to come - while quality films like "The King's Speech" and "The Hurt Locker" and "Winters Bone" and "The Fighter" and "The Kids Are Alright" struggle to elbow their way into the limelight and ultimately lead the vanguard at the major award ceremonies honoring the best films of the year?

Just follow the money.

The studios are all owned by major corporations with stockholders to answer to and profit margins to maintain. Tent-pole movie franchises costing studios $100-300 million to make and at least an additional 30% of that production cost to promote are now the "safe bets" for Hollywood. Those kinds of films attract worldwide audiences and create massive ancillary income streams through cross-marketing tie-ins with the Burger King's and McDonald's of the world and other corporate giants. After all...to the studios, it's all about "Show-Biz"...not "Show-Fun". Hey, don't get me wrong. From time to time I love a little mindless summertime entertainment like those screamin' big budget, special effects-laden blockbusters - but what about the real Storytellers, the renegade indie filmmakers fighting our way through the process to showcase our vision on budgets ranging from $5,000 to $3 million and shooting schedules confined to 10 to 30 days? Taking nothing away from artists like James Cameron, who is, no doubt, a genius with his incredible visual breakthroughs with films like "Avatar" - but c'mon - if you gave just about any director $300 million and 10 years to make a movie...I'd bet it would turn out pretty cool as well.

I write all this as Prologue to encourage rookie filmmakers trying to jumpstart their careers and to alert all you potential indie film investors out there who are pondering the possibilities. The facts of the matter are these: (1) There's never been a better time in history to become a writer, producer or director of feature length indie films - so get after it and don't ever let anyone stop your forward progress or steal your Dream; and (2) There's never been a better time or opportunity for investors of all backgrounds to make money backing creative indie filmmakers. And I'm not just talking about the 'usual suspects' in the local arts and philanthropic circles who are capable of stroking $100k to million dollar checks. God love 'em...they're fantastic people...but it's also those individuals in a community who never ever get asked to invest in high quality-low budget independent movies and who are more than capable of writing $5k to 25k checks that can make all the difference when you're cobbling together a viable production budget. It's a Digital world we live in folks - so there's a growing trend and movement unfolding where intelligent investors are teaming up with talented filmmakers who know exactly how to fuse the available digital technology with the right kind of Story that has broad mass appeal and who understands exactly how to market their movie via the countless number of portals that demand more and more content (Netflix, ITunes, Video On Demand, Cable, DVD's, laptops, etc). Indie filmmakers who take advantage of available state and county film incentives (like Florida's) and who carefully explain to savvy investors the revival of the new IRS loophole that allows their backers to write off 100% of their investment in indie films in the same year the investment is made makes for an incredibly viable scenario right from the start. But filmmakers gotta speak up and be multi-dimensional creatures! It's not enough to craft together a wonderful film. You gotta be able to Conceive It...Fund it...Make It (efficiently and for a price)...and then Market & Sell It!

Whenever you 'follow the money' there's always a bottom line that tells the story in black and white - and the net results of a well-made film with a super-low budget that finds its core audience...even with no major theatrical release...can astonish even the most conservative investors. The first and most important key is to take a great Story/Script and make a marketable film on a thrifty budget (yes, it's easier said than done...but we did it...and you can too) - and then show your investors how to leverage the state and federal incentives in their favor. You don't need a multimillion dollar budget to turn a great Story into a great Film...and you don't need 'name' stars to make money (though it always helps!). In the final analysis, if the Story is strong enough and the production values are of high quality...name stars can be attracted to your film because they are, after all, ACTORS who love to perform in great roles, even if all they make is 'scale'. Look what Travolta did with "Pulp Fiction"...or Mickey Rourke with "The Wrestler". In any case, with the right material and a well-executed marketing plan investors can realize an excellent return on their money and actually thrive financially by backing worthwhile indie films. And when your investors make a buck, you and your production Team make a buck - and that allows everyone to keep making the kind of movies we want to make in the years to come.

Case in point: The movie we just made here in Sarasota...a Musical to boot...looks and sounds like much more than a million dollars was spent on it. And guess what? It didn't cost that much. To get Beautiful Noise made in the tough economic environment of 2010 it took a combination of up front cash; a kiss from the State of Florida who certified us with a 30% tax credit incentive that can easily be turned into dollars when post-production wraps; an important assist and guidance from the Sarasota Film Commission; a Cast, Crew and Songwriting Corps who were resolute and passionate about what the film stands for and that have faith in its long-term potential; some deferred compensation and 'back-end %' deals; a tight 16 day shooting schedule in the middle of the hot, humid Florida Hurricane Season; and a huge embrace from Suncoast businesses and individuals who provided no cash but lots of sponsorship of food, lodging, locations and even incredible helicoptor shots to create the visual tapestry that has become Beautiful Noise. And while there's still a few critically important weeks of post production remaining, it's easy for anyone to see that the Story and the Acting and especially the Song performances have positioned our little film to be both a crowd pleaser and a profitable venture for those in our midst who are now making financial investments both large and small to fund our international film festival marketing campaign. I am grateful to those patrons who are stepping up - now, when we need them the most - who truly want to see independent film production grow and prosper here on the Suncoast. I have 5 more feature films in various stages of development that could all be made here in southwest Florida...and Beautiful Noise is helping us open doors that once, quite frankly, were closed.
I figured out early on in the process that it was folly to approach local investors before we actually made the movie and had something special to show them. It was extremely difficult to work this way as lots of sacrifices were made by Cast & Crew...but I knew that the local $ people had heard the song and dance so many times before from others and that not much had ever come to fruition. "Here's another upstart indie producer who says he's gonna make a great movie and everyone's gonna love it and the film festival will showcase it for sure and everyone's gonna make money...yadda, yadda, yadda." So there I was - with no major track record yet in feature films, no stars, and the announcement that the entire movie is being filmed here in Sarasota...which is known around the world as a tropical paradise but not as a mecca for feature film production...yet. "Oh...and yeah...he's also making it into a Musical with mostly original songs. Oh joy! Some guy with a micro-budget and local cast & crew thinks he can make a Musical-Drama that competes with the best of 'em and is filling it with songs written and sung by singers and songwriters nobody's ever heard of...and it's probably gonna make money for sure? Yeah...right. Best of luck Stevie! Wish you well! We'd love to see it happen. We'll take a peek at it when (they meant "if") you make it..." I can't really blame anyone for that point of view. I probably would've felt the same way.

Fast forward to Today.

Beautiful Noise is going to premiere somewhere in Florida this April (hopefully at our own Sarasota Film Festival) and I'll be tucking it under my arm and traveling this year with my stars and co-producers to showcase it at every film festival that accepts us around the world. One way or the other it will be released in theatres and/or across every digital platform mentioned above where people channel their film entertainment right into the comfort of their homes. Actor-Singer/Songwriters named Danielle White, Kimber Cleveland, Chris McCarty & Jay White will no longer fly under the national entertainment radar - as their performances are nothing less than astonishing and will for sure be noticed. Their Supporting Cast and Crew members will further their careers as a result of their work on our film and our collective effort will help Sarasota be
counted among the growing number of markets that embrace and attract both studio and independent film productions alike. And me? I'm just gonna keep writing and creating movies that make people laugh, make 'em cry, and above all - entertain them. So it's all a real Smile any way you look at it.
And then...there's the hit Soundtrack Album...and the Beautiful Noise Live! Concert Tour...and maybe a TV pilot... and a full blown Stage Musical...and the prequel... and the sequel... and...
Okay. Okay...What do you expect from me!?

Like I said, you gotta Dream it, then Make it happen, then you gotta Sell it! And you gotta Believe! So - Indie Filmmakers...unite and conquer!

And Indie Film Investors...take a hard look at the possibilities! There's plenty of filmmakers that need and deserve a helping hand in your community. And there's money to be made when you choose wisely.
And for all those interested in learning more about getting 'strategically' involved in Beautiful Noise...here's a shameless plug and invitation to contact me at your earliest convenience. The train's about to leave the station and there's still room to climb aboard! Now's the time...

Steve

Sunday, February 13, 2011

"Beautiful Noise Live!"

Making the transition from the editing suite back to the recording studio to complete post production on our film has been a real Smile because - after all is said and done - it's a modern day Musical! Now that we've locked the movie as far as the Final Cut, it's all hands on deck to fine tune and mix all the great songs that propel the Story and that literally transport the movie to another level. I'm really proud of what's been achieved so far and I know that the next coupla weeks will be among the most joyous of the entire process. The singers, songwriters, musicians and music producers working with me on the Soundtrack are all amazing. I can't wait to release the Album this Spring and am really looking forward to everyone's reaction to the sights and sounds of "Beautiful Noise" when the film is screened around the USA this year.

To kick things off, the first opportunity to hear the songs from the film happens Friday, April 1st at Sarasota's Riverview Performing Arts Center. That's when the very first "Beautiful Noise Live!" Concert event debuts featuring some of our Cast members and songwriters from the movie. It's going to be an awesome show featuring co-stars Danielle White, Chris McCarty and Jay White as well as BN songwriter Dean Johanesen performing songs from the film in the first half of the show. After intermission, Jay brings his world famous Neil Diamond show to the Riverview stage. Proceeds from the concert will benefit select Riverview High School programs and also help fund our international film festival marketing. Check out all the details here on our website and join us for a sneak preview of all things "Beautiful Noise". It's a concert event not to be missed - and one we'll be taking around the country!

Steve

Friday, February 4, 2011

Flashbacks

 "Just when I thought I was out, they pull me back in!" - so says Michael Corleone in "Godfather III". And that's exactly how I felt this last week as I worked closely with my three lead actors - Danielle, Jay & Kimber - to record their lead vocals and ADR dialogue, which was a scheduled activity / and film three pick-up scenes I decided we needed to shoot before Marc & I lock the final picture edit, which was not scheduled. As a result, five power-packed 20 hour days followed that left me and my co-producers exhausted...and thrilled with a knowing that we were not only finished filming all the scenes we needed...but that we had captured lightning in a bottle.

Danielle was up first, flying in from California for 2 days to sing, among other things, a cool Dean Johanesen composition titled "Godspeed". But before the studio session, I realized I needed to write and quickly film a 'flashback' scene that enhances the Story in a special point in the movie. At the location, Danielle and her 6 year old co-star for the day, Cody Aspinall, worked with me to rehearse and block the scene...and though only 2 lines of dialogue were called for, it took quite some time of back and forth improvisation to work out the perfect words that the sequence demanded. Once the camera rolled, Danielle and Cody captured the essence of the 'flashback' in just a few takes. When Marc and I edited the scene into the movie later that night we were both astonished at how incredibly important that cinematic moment was...and I wondered aloud how the hell I could have shown the film without it. Another shining example of the better angels within pointing me in the right direction...

The next day it was time to capture Danielle's final vocal work on the film before she jetted back to SoCal. As usual, she took her time to let the first song - "Godspeed"- sink in, listening quietly in the corner of the studio control room. I could see she was a little unsure of her approach to it because Dean's original version is so strong and wonderful as is. But "Dez" needed to deliver her own unique version for the film, so her hesitation was quickly replaced with the enthusiasm and creativity I've come to know and expect from my talented star. It's important to remember that this 19 year old singing phenom writes and sings her own brand of songs which are fresh and original and completely representative of her personal take on Life. Yet the songs I've asked her to sing in the film, for the most part, are not anything close to what Danielle would choose to record for her own album. Not that the Soundtrack songs are a stretch for her in any way...it's just that the tunes are so wide in range that it's been an interesting challenge for her to bring her characters' voice and personality to each musical moment. But God, did she ever deliver the goods. Within a few takes Danielle nailed the "Godspeed" vocal in such a memorable way that I'm certain it's going to become a breakout hit single off the
Soundtrack. After Danielle headed back to Cali it was time for Kimber Cleveland to film her big moment in the film. I won't go into detail here...but I recommend that everyone stay seated during the End Credits to see and hear a performance from Ms Cleveland that will leave you dazed and amazed. Dazed 'cause her song is so damn good and amazed that she isn't already a major star. Later that day the Magic happened again. Kimber has been inspired by the Story of "Beautiful Noise" from the moment she finished reading my early draft...so much so that she's been working on a pivotal song she titled "One More Song In Me" for over 8 months! After we shot her big scene at Sarasota's Riverview Performing Arts Center we trekked over to Phillippi Creek Park, found an interesting, sunny spot on the massive lawn, framed her up in the camera and turned her loose. What transpired in front of me was a song from her heart that perfectly fits what happens next in the movie. Just Kimber and her McPherson acoustic guitar - recorded live on the spot. Another miracle of a song from an incredible performer. I am so proud to be the Director that presents her for the first time in a feature film.

After Kimber's departure from sunny Sarasota it was Jay White's turn to make the scene and record his lead vocals on several key songs in the film. Jay is the world's #1 Neil Diamond performer and he's the real deal. The best. But he learned something important while creating his character in our movie. Jay is so much more than "Neil Lite"...the next best thing to Neil himself. Jay is an Actor...and a convincing one as you will soon see. Plus he's something more. He's a world-class performer who can be just as successful singing original songs like Kimber's "The Story of Us" or Joni Mitchell's "Free Man In Paris" as he is singing all of Mr. Diamond's hits. Jay just completely slayed us with his rendition of Randy Newman's "Feels Like Home"; Dean Johanesen's "Last Dance" and demo tracks of Kimber's "Sorry" & "Coming On Strong". In between the release of "Beautiful Noise" and the preproduction on the prequel & sequel later this year I am going to produce an album of all original songs for our "Bobby Drake" to sing. I can't wait to watch my friend spread his wings...

It's been an amazing week. And more amazing weeks are heading our way. The "Beautiful Noise" journey continues and for the first time ever...I can see the End Zone. It's First Down and Goal to go from the ten yard line. Just gotta get some rest, think it all through and make sure we secure the ball all the way in to the Score!

Steve